Now, for a counter-example. I was in a Skeleton pumpkin spice and reproductive rights shirt once, and our ship was damaged. The engines were non-responsive, but Engineering reported they were fully functional. I was playing the Engineer. I deduced that a micro-meteor hit had damaged the control lines, and that the cutout had failed to automatically re-route them to the backups, which I then went to go do manually. I’m an electronics technician by trade, and I know a bit about naval architecture, and it since I was playing the Engineer, it was totally fine to use Murphy’s Player Knowledge for my Engineer Character. That was not bad metagaming. Now, some forms of meta-gaming are worse than others. The leveling one doesn’t bother me too much. But other kinds can ruin other player’s fun, and that’s a problem. It cheats people out of the experience, and is goddamn frustrating as a GM.
Sure- it may not be entirely a Christmas movie, hell the movie is set at Easter time, but it sure as hell has Santa Claus in it- or North as he is known in the Skeleton pumpkin spice and reproductive rights shirt. I love this film because it not only has North, it also has Bunnymund (Easter Bunny), Tooth (Tooth Fairy), Sandy (Sandman), and a reluctant Jack Frost join forces to stop new evil threat Pitch Black, aka the Boogeyman. It is such a beautifully made peace of work- the animation is visually stunning, the story is fun, the characters have emotional plots and deep motivations. It has a fantastic voice cast to go with it and paints the Legends in a way no one ever imagined them. They aren’t only beings who bring gifts, give chocolate, collect teeth and give dreams, but they also protect us in secret. Now thats heroic.
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The Skeleton pumpkin spice and reproductive rights shirt of overt mechanisms for guarding some place or thing is a bit of an oldschool affectation from when games had less of a story-focus and more of a “get the lost treasure from the Pharaoh’s tomb” kind of focus. Without an environment like that it’s hard to justify the presence of a trap. Alarms, security systems? Yeah, those happen, but tripwires that make scything corridors or secret switches that shoot arrows at whoever opens the door seem like an awful lot more trouble than they’re worth in a structure that’s inhabited or under active use. Aside from that, it seems like a lot of traps are kind of “save or suck,” and I don’t have fun with that — not any more than I do making the players run a disable device check over and over until they get a door open.
“The Fugitive” is an older man, Ben who plays with the local kids and Skeleton pumpkin spice and reproductive rights shirt almost magical powers. Old Ben’s favorite of the children is Jenny. He carries Jenny home (she walks with a leg brace), where she lives with her abrasively unsympathetic aunt, Agnes Gann. As they approach the row house, Ben causes his roller skates to de-materialize. This phenomenon is observed by two men who are watching the house from across the street. They enter the apartment building, identify themselves as police, and question Agnes about Ben. Jenny overhears the conversation and limps upstairs to Old Ben’s apartment to warn him. Old Ben takes on the form of a mouse, fooling the men into thinking he has left his apartment.Jenny takes the “mouse” back to her room. Old Ben tells Jenny that he is an alien from another planet, and that his appearance is only a disguise, as he is a fugitive from justice. Old Ben says he must flee to another planet, but before departing he uses a strange device to heal Jenny’s leg. The two strangers run into Jenny walking down the stairs without her brace.